It will raise some interesting points for any student reading the story. He then discusses his "idea. When the police arrive, the narrator invites them to sit right above the dead body.
He says that he is going to tell a story in which he will defend his sanity yet confess to having killed an old man. Again, he insists that he is not crazy because his cool and measured actions, though criminal, are not those of a madman.
In the morning, he would behave as if everything were normal. After a week of this activity, the narrator decides, somewhat randomly, that the time is right actually to kill the old man.
When the narrator arrives late on the eighth night, though, the old man wakes up and cries out. The narrator remains still, stalking the old man as he sits awake and frightened.
The narrator understands how frightened the old man is, having also experienced the lonely terrors of the night. Worried that a neighbor might hear the loud thumping, he attacks and kills the old man. He then dismembers the body and hides the pieces below the floorboards in the bedroom.
He is careful not to leave even a drop of blood on the floor. As he finishes his job, a clock strikes the hour of four. At the same time, the narrator hears a knock at the street door.
The police have arrived, having been called by a neighbor who heard the old man shriek. The narrator is careful to be chatty and to appear normal. He leads the officers all over the house without acting suspiciously.
The policemen do not suspect a thing. The narrator is comfortable until he starts to hear a low thumping sound. He recognizes the low sound as the heart of the old man, pounding away beneath the floorboards.
He panics, believing that the policemen must also hear the sound and know his guilt. Driven mad by the idea that they are mocking his agony with their pleasant chatter, he confesses to the crime and shrieks at the men to rip up the floorboards.
Even Poe himself, like the beating heart, is complicit in the plot to catch the narrator in his evil game. As a study in paranoia, this story illuminates the psychological contradictions that contribute to a murderous profile. For example, the narrator admits, in the first sentence, to being dreadfully nervous, yet he is unable to comprehend why he should be thought mad.
He articulates his self-defense against madness in terms of heightened sensory capacity. This special knowledge enables the narrator to tell this tale in a precise and complete manner, and he uses the stylistic tools of narration for the purposes of his own sanity plea.
However, what makes this narrator mad—and most unlike Poe—is that he fails to comprehend the coupling of narrative form and content. He masters precise form, but he unwittingly lays out a tale of murder that betrays the madness he wants to deny.
Poe explores here a psychological mystery—that people sometimes harm those whom they love or need in their lives. Poe examines this paradox half a century before Sigmund Freud made it a leading concept in his theories of the mind. The narrator thus eliminates motives that might normally inspire such a violent murder.
He reduces the old man to the pale blue of his eye in obsessive fashion. The narrator sees the eye as completely separate from the man, and as a result, he is capable of murdering him while maintaining that he loves him. By dismembering his victim, the narrator further deprives the old man of his humanity."The Tell-Tale Heart" "The Black Cat" "The Cask of Amontillado" "William Wilson" "The Pit and the Pendulum" "The Masque of the Red Death" Critical Essays Edgar .
The protagonist of the "The Tell-Tale Heart" is a classic example of Poe's unreliable narrator, a man who cannot be trusted to tell the objective truth of what is occurring.
he offers an account that has a series of apparent logical gaps that can only be explained by insanity. In his writings, Poe often sought to capture the state of mind. The bed in "The Tell-Tale Heart" symbolizes the opposite of what beds and bedrooms should be about.
The narrator violates all bedroom etiquette, by exploiting the vulnerability of one who is sleepi.
The narrator's "tell-tale" heart causes him to convict himself. We have here, then, a narrator who believes that he is not mad because he can logically describe events which seem to prove him to be mad. An analysis of Edgar Allen Poe's "The Tale Heart" must take into account symbolism and point of view.
In addition to analysis of the story, I've provided a . The Tell-Tale Heart Analysis Literary Devices in The Tell-Tale Heart. Symbolism, Imagery, Allegory. The old man's eye is blue with a "film" or "veil" covering it.
This could be a medical condition, like a corneal ulcer, but symbolically it means that the characters have issues with their "inner v.
A Basic Summary. Before we begin our analysis of “The Tell-Tale Heart,” Let’s take a look at a summary of the story. The story begins with the narrator telling us that he’s not insane. The bed in "The Tell-Tale Heart" symbolizes the opposite of what beds and bedrooms should be about. The narrator violates all bedroom etiquette, by exploiting the vulnerability of one who is sleepi. Home > Students>Poe's Works and TImeline>The Tell-Tale Heart. The Tell-Tale Heart. By Edgar Allan Poe - Published Hearken! and observe how healthily --how calmly I can tell you the whole story. It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. Object there was none. Passion.