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The Equestrian Statue of Marcus Aurelius and the Equestrian Monument to Bernado Visconti are two works of art that at a cursory glimpse, look so parallel, both have powerful men on horses, thus equestrian. But each sculpture embodies a polar opposite man at unrelated times in history.
A statesman of conflict verses a statesman of peace, a loved head of state as opposed to a detested head of state. Generations of extravagance had made the nobles, weak and selfish. The middle class was vanishing, and the working class was being reduced to a state of slavery.
Germanic tribes were at the borders of the empire, while few Romans seemed willing to defend their homeland. Marcus Aurelius had been trained in the Greek philosophy, and he followed it throughout his life.
He placed the good of society before his own comfort. He put good government into effect, limited the gladiatorial games, and passed laws that benefited slaves. Although he loved peace, he was a good warrior and succeeded in defending the border provinces against invasion.
In his spare moments he jotted down in Greek the rules that guided his own conduct. The resulting volume of Meditations was for many generations one of the worlds most accepted books of practical and political wisdom. Marcus Aurelius spent most of his reign on foreign battlefields, trying to defend the frontiers of the Empire.
He eventually died while on campaign in AD in the town that became Vienna.
McKay Antiquity to Enlightenment A type of imperil portrait invented by the Romans is the equestrian monument meaning, depicted or represented on horseback.
The bronze statue of the emperor Marcus Aurelius on horseback standing on the pedestal in the center of the Campidoglio is an excellent fake erected in 17 in preparation for Jubilee The original, which had stood on the Campidoglio sincesurvived a 17 bomb attack, but was then discovered to be deteriorating rapidly from atmospheric pollution.
It was carefully restored between and 18 and is now kept under a glass cover in the Capitoline Museum. Twice life-size and originally gilded to look like solid gold; the statue may have been produced after the emperors death in AD, when he was deified.
Michelangelo moved the original to the Campidoglio in from a position near St John Lateran where it had stood since at least the eighth century.
It was then believed to represent Constantine, and that misidentification probably saved the statue from papal melting pots, which consumed statues of so many non-Christian emperors and generals. In later years it was also misidentified as the Roman knight Marcus Curtis, who had saved Rome from destruction by leaping on horseback into an abyss which had opened in the center of the Forum in the time of the ancient kings.
Later still, it was identified as Theodoric the Great, the Ostrogoth king. It was only in the fifteenth century that portraits on old coins pointed to the true identity of the man on horseback Buckler Rise of Rome The equestrian tomb of Bernabo Visconti, Lord of Milan sat behind the high altar of the now demolished S.
Giovanni in Conca in Milan.
The monument is made of marble, and the rider figure was at one point covered in silver and had a golden shield and spurs, these attachments are indigenous of northern Monuments.
As a result of his unexpected death the work was never completed. Given that it was being commissioned by Visconti Bernabo Visconti was an iron-fisted tyrant from Milan; he married Regina Della Scala of Verona which forged both a political and aesthetic alliance between the two cities.
Viscontis intrigues and territorial ambitions kept him at war with Florence, Venice, and even the Pope. Sir Bernabo heavily oppressed that part of Lombardy of which he was head of state, and taxed his citizens two or three times a-year, a half or a third of their income; but none dared to speak out against him.
Being at war continuously with several neighboring countries and taxing his citizens heavily to finance these military explorations, Sir Bernabo was detested from all angles.Learn more with the accompanying lesson entitled Analysis of the Equestrian Statue of Marcus Aurelius.
The following topics will be addressed: Details about what equestrian statues were built for. Analysis of Equestrian Statue of Marcus Aurelius Essay Sample. Strongly built small horse.
Wide and large intelligent eyes. Frozen in a Piaffe which requires extreme discipline on . The Equestrian Statue of Marcus Aurelius is a gilded bronze portrait of the Roman emperor on horseback. It was likely created in the s CE, around the time Marcus Aurelius defeated several.
Analysis of Equestrian Statue of Marcus Aurelius. Topics: Horse, Ancient Rome, Pony Pages: 2 ( words) Published: January 16, Description of Horse Strongly built small horse. Wide and large intelligent eyes. Frozen in a Piaffe which requires extreme discipline on both the rider and horses part.
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Equestrian Statue of Marcus Aurelius, gilded bronze, c. C.E. (Capitoline Museums, Rome). The original location of the sculpture is unknown.